I have an accountability partner. Shari Sherman. We’ve been checking in with each other for the last six years. This week I committed to making an encaustic piece a day. Today I worked on a small piece today. I love those lone trees in the middle of a vast field. I call them witness trees. Who knows what they have seen as they’ve grown over the years. Imagine a 200 year old lifespan.
A lone tree guy was here cutting down the rest of the poplar leftover from the crew. This guy cut down this giant tree by himself. A matter of physics, spatial relations and just plain genius. Lots of chain sawing.
I have a plan for this witness tree piece. More to come…
The contrast is great for color and light
Painting trees upside…again, but in a reflection
Adding clouds and re-adding the light into the trees
Putting in some ripples from the bugs landing.
Blurring everything for the water aspect.
Then the light changed.
Adding the Lily Pads
The Lily Pads are in…still missing something. Will revisit.
The reflection pond called. The light from the clouds bounced off of the pond and the trees were admiring themselves. The lily pads were at the end of their glory, yet they wanted to be the focus. Isn’t this the process of creating? The steps to honing skills. Bringing color, light, and nature onto the paper. We shall see as they evolve. Monet. Where are you?
This tree always seemed to be in the way of the moutain. I let it take center stage and it bowed.
Our Art Camp at the Claytor Nature Study Center
This was the ninth week of painting the Blue Ridge Mountains. Still painting from the same spot. The mountains decided to be in the background and I can feel them off in the distance. That tree asked to be the star from the beginning and I kept ignoring him. I think he’s had his day in the sun. Time for his bow. 11″ x 14″ Pastel on Sabretooth