Cherry picking at Seaman’s Orchard
Blueberry picking at Seaman’s Orchard
Just one of the gorgeous views at Seaman’s Orchard.
We have started our painting outdoors for the summer! Nancy, Terri and I went out to Seaman’s Orchard where you can pick your own strawberries, blueberries and cherries. The other fruit you can pick isn’t ready yet, but all of the above are delicious! Blueberries should be really ready soon. Really a beautiful setting and the views…….
If I’m going to be honest, I’ve been in an artistic bump in the road. I’ve been taking a lot of classes and really learning. The classes leave my mind full and excited. I hadn’t used my pastels or been outdoor painting for over a year and I was RUSTY! All my new found knowledge and now I don’t know how to paint anymore. That ugly FEAR that sits on your shoulder, landed on mine and the only thing I have been painting with is GESSO. I have started one painting of this tower at our local high school and I’m on the third Gesso rendition. In the case of my pastels, I brushed off the pigment and I sprayed alcohol on pages of pastel paintings to be painted over. In my encaustic paintings, I’ve been melting whatever I put down and starting over. Just fusing layers of light grey onto a substrate.
The view that I painted at Seaman’s Orchard
This is the start of painting.
The finished pastel painting on site.
All the ideas are here. They’re just waiting for me to open the gates to an actual breakthrough in manifesting.
I am pushing through it. I’ve been here before and got through it to be very successful in my career.
This was the first painting I have felt good about in over a month. There’s still work to be done.
JUST KEEP MAKING A MESS!
I’m the featured artist at the Renaissance Theatre this May and for First Friday tonight! In honor of the play Hair, I’ll be showing my flowers on cigar boxes in encaustics medium. Also hanging will be my plein air pastel paintings of the Peaks of Otter.
The Lynchburg Art Club will be showing the paintings from Paint Out Lynchburg. I have two paintings there. It will be exciting to see who won. It’s like being at a race. My heart pounds waiting to hear the results.
Also, my newly painted acrylic paintings are hanging at the Academy Center of the Arts, Arts & Education Lobby, located in the Warehouse Theatre. It’s Kenny Weinfurtner’s class I’ve been taking and learning so much. Everything is available for purchase. Sales benefit the Academy Center of the Arts, Renaissance Theatre and of course, me. #FFLYH #downtownlynchburg #Academycenterofthearts #renaissancetheatre #encaustic #cigarboxes #pastelpaintings #lynchburgartclub #paintoutlynchburg
This tree always seemed to be in the way of the moutain. I let it take center stage and it bowed.
Beginning the underpainting for the train station with burnt sienna. Creating the sketches has really put me into the painting. From the perspective to the values. I still have some perspective to work on, but it’s feeling good. #perspective #brunaille #values #monotone #burntsienna #acryliconcanvas
I was a curious little girl. I am a curious woman. I still ask why. Sometimes there are no answers and things are just the way they are. Be sure to ask the right person.
When I was kid I would get a bump on my tongue from something that may have been too acidic or I was mildly allergic to. Of course I went looking to my mother for the answer. It was a lie bump. I never knew what I lied about. I was five. I never asked again.
Painting upside down
My mind couldn’t put the perspective right, so I painted upside down
Final version of The Draw in Acrylic
Encaustic Gesso applied
First Attempt with rocks uniform
Final Version with rocks corrected.
This is a short story on how this painting got its’ name. It began in 1981. When photos were taken with film cameras.
While some people might think that New Mexico looks like a great big brown baked potato, I think otherwise. Colors in the rocks, the sunsets, and landscape. Magnificent.
The painting started out as “The Draw” based on Blackwater Draw in New Mexcio. It landed on the canvas in 2011 with a monochrome under painting of burnt umber. I started it upside down because the perspective was challenging me. This way my brain would only see shapes. Other colors were going to be added, but we moved. And moved again. I kind of liked it with the one color.
2015 – This painting wanted attention. Encaustic wax called to me. I brushed the wax over the top very lightly and only heated it enough to adhere the layers. The sand is silica from those little packets that come in pills. In writing on the very last layer is “New Mexico is a great big brown baked potato” in oil pastels. This piece flowed out of me and I enjoyed the process.
First Attempt Swirls
Swirls with objects
Beginning of Tadpoles
Texture of tadpoles
Texture of tadpoles
I drew and painted as a child all the time. I drew and painted in my art courses at college. Broadcasting got a hold of me and two or three television stations later and I stopped painting.
Twenty years later I picked up a brush again and didn’t know where to begin…again. The first attempt was to throw paint on the canvas making swirls and adding objects, it seemed so flat otherwise. The colors popped! It didn’t mean anything. It was happy, but just a bunch of doodles.
Gesso is an artists’ friend. Goodbye swirls, hello circles. Still…flat. Some of those circles looked like breasts with the objects in the middle.
As I am always photographing micro shots of critters, I posted these tadpoles stuck in a tide pool on Facebook and a friend inspired me with “You should paint them”. The colors were vibrate, the composition flowed. A 3′ by 5′ painting of tadpoles emerged. Right over all those swirls/circles. I experimented with pastels combined with gel medium. Acrylics. Overall, it was a satisfying experience. This is the journey.